With the piecing and appliqué done it was time to start the sandwiching and quilting process. I am fortunate to have several of these metal (army) tables in the room I use for teaching, so moving 4 together gives me the ideal space to stretch and pin my quilt layers. Lately a local (South African) designer of 100% cotton fabric has brought out really nice designs at a fraction of the cost of imported cottons and I love using these Da Gama fabrics for backing and the fact that these are 1.50 meters wide makes it even nicer.
Step 2: Batting rolled out onto the backing and the quilt top neatly straightened on top of the batting
Batting not wide enough for the sides? Time to fetch the drawer of remnant batting and I might be breaking all the rules here but I simply don’t bother joining my batting. I feel that I quilt intensively enough in order for my batting not to move anywhere so I simply add a piece where needed, spray baste it in place and continue adding remnant pieces until I have enough batting.
Meeko, our parrot, doing the final inspection to see if I didn’t leave any visible gaps in the batting.
Step 4: Quilting
I then tried something different. I found a motif I liked, enlarged and printed this, traced it on Stitch a Tear and spaced these on my quilt top to stitch through it and removed the paper afterwards. Unfortunately the Bargello pattern/fabric steals all the attention and the quilt motif can be seen much better on the back side of the quilt.
I simply echoed the borders and the quilt fits snugly on a double bed.
Completed: 27 September 2010